Ronan Boitard
MTT Innovation / Barco
HDR Imaging Scientist
Brightness in Cinema: When is it Too Bright?
Annie Chang (Moderator)
Universal Pictures
VP, Creative Technologies
Finding Your Most Significant Bit:A Story by Annie Chang
Anustup Choudhury
Dolby Laboratories Inc.
Senior Research Scientist
HDR and WCG Image Quality Assessment Using Color Difference Metrics
Magnus Danielson
Net Insight AB
Senior System Architect
IP Network Based Delivery of Coordinated Universal Time for ATSC 3.0 Single Frequency Networks
Jean-Louis Diascorn
Harmonic inc.
Senior Product Manager
How AI Technology is Dramatically Improving Video Compression for Broadcast and OTT Content Delivery
Ron Eng
Eng Sound Services
Sound Designer/Mixer/Supervising Sound Editor
Maximizing Your Career and Its Potential
Oscar Estrada
Hutchings Museum Institute
Student
Rotoscope Automation with Deep Learning (Recipient of the 2019 Student Paper Award)
Paula Fairfield
paulafairfield.com
Sound Designer
The Creative Process of Designing Today’s Movie Soundtracks - Produced by AES
Kevin Fornito
NBCUniversal
Manager, Production Infrastructure
“Using Infrastructure-As-Code and the Public Cloud to Power On-air Media Creation Platforms”
Ryohei Funatsu
Japan Broadcasting Corporation (NHK)
Research Engineer
1.25-inch 3-CMOS multi-functional high-speed 8K camera system
Alexander Giladi
Comcast Cable Communications
Fellow
Speed-Distortion Optimization: Tradeoffs in Open Source HEVC Encoding
Rodney Grubbs
NASA
NASA Imagery Experts Program Manager
Mission Critical: Project Artemis, Imaging from the Moon and Deep Space
Katsuya Hayashi
Japan Broadcasting Corporation (NHK)
Engineer
Development of New 4K/8K UHDTV Satellite Broadcasting System in Japan
Ian Hunter
New Deal Studios, Inc.
Co-Founder / Creative Director
The Magic of the Award Winning “First Man”: How a Realistic 1960’s Apollo 11 Space Experience Was Created on Earth 50 Years Later
Renard Jenkins
PBS
Vice President, PBS Operations, Engineering & Distribution
Despite Our Best Efforts: An Unintentional Journey through Mistakes, Pivots and Progress: A Story by Renard Jenkins
David Keighley
Imax Corporation
Chief Quality Guru
Been There and Made That: An Intimate Conversation with Todd Douglas Miller and Col. Terry Virts
Thomas Kernen
Mellanox Technologies
Senior Staff Architect
Strategies for Securing SMPTE ST 2059-2 PTP Networks
Hans-Nikolas Locher
CST (Commission Supérieure Technique de l'Image et du Son)
Head of research and Development Sector
Uniformity Measurement for French Cinema
Jean-Baptiste Lorent
intoPIX
Director Marketing & Sales
Creating Bandwidth-Efficient Workflows with JPEG XS and SMPTE ST 2110
Shany Mahalu
Pepperdine University, Graziadio Business School
Director of Recruitment and Advising, Part Time Programs
Maximizing Your Career and Its Potential
John Mailhot
Imagine Communications
CTO, Networking & Infrastructure
Tuesday Technical Session Primers
Dylan Mathis
NASA, Johnson Space Center
Integration Manager for Operational Programs
Mission Critical: Project Artemis, Imaging from the Moon and Deep Space
Catherine M Meininger
Portrait Displays
Color Scientist
ΔEITP is Now ITU-R BT.2124--Is the Industry Ready to Move on From ΔE2000?
Nicolas Moënne-Loccoz
AUTODESK
Principal Developer
Applying Machine Learning-Based Algorithms to Post Production Workflows
Stephen Morris
Skywalker Sound
Director of Engineering
Ambidio: An Introduction to Immersive Stereo, Workflow, and Evaluation
Jeri Palumbo
Sports and Entertainment
Broadcast Sports and Entertainment Mixer, Audio and RF Tech
Maximizing Your Career and Its Potential
Jasper Peeters
Riedel Communications GmbH & Co. KG
Software Development Engineer
Security for Discovery and Connection Management of SMPTE ST 2110 Media Devices
Eric PINSON
ENENSYS
Director of Terrestrial Market
Broadcast Gateway, Heart of ATSC 3.0 Delivery Network
Stelios Ploumis
The University of British Columbia
Student
Brightness in Cinema: When is it Too Bright?
Tyler Pruitt
Portrait Displays
Technical Evangelist
ΔEITP is Now ITU-R BT.2124--Is the Industry Ready to Move on From ΔE2000?